After flirting with careers as an archaeologist, pilot, concert pianist, and diplomat, I settled on photographer after just a few month’s residence in Heidelberg, Germany, while studying for my Masters in Comparative Literature. The camera provided close personal interaction with people, while hearing their stories from a wide variety of cultural perspectives and social environments. Introduced by parents, I formed an obsession with opera, Native American drum music, vinyl recordings, and historic places, particularly Georgia O’Keeffe country, “south of the border” from our Colorado base. My family of musicians and artists stopped, listened, and loved the light and land of the Four Corners. I self-define as a photojournalist-poet, a griot.
I wrote
Unplugged Voices: 125 Tales of Art and Life from Northern New Mexico, the Four Corners and the West
Up close and personal acquaintance with the late irreverent, prolific, and totally charming painter, who also sculpted and worked in wood and silver. No art-speak, just an amazing character, extolled by a master of pictures in words. Wealth of reproductions.
You’ll want to buy a painting once you’ve read the book.
Of prolific nature photographer Fielder’s many books, this is my fav.
It commands attention, a gift to be treasured, big, bold, luxurious. You’ll drown in the luscious reproductions, as though you were on the trail with him!
The unexpected bonus: his commentary tells you about his experiences loose in the wild, how chance weather patterns and animals made for dramatic imagery, his devotion to craft, and sheer delight in tramping the land of the West.
John Fielder is Colorado's preeminent nature photographer. Colorado Black on White is his 50th Colorado book. In the mold of Colorado's best-selling book of all time, Colorado 1870-2000, Fielder represents his state exclusively in black and white. He edited 230 color images from his life's work in Colorado over the past 40 years, and rendered each in blacks, whites, and subtle tones of gray. Without the distraction of color, the viewer engages the shapes, textures, lines, and edges of this most scenic of states as never before.
Divided into eight chapters, Fielder spares no subject endemic to his adopted state.…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
It’s a huge book! Huge in size, huge in the image reproductions, huge in the photographic artist’s effort to construct composite images of dramatic international scenes from many iconic places, such as Times Square, Paris, Rome, National Parks of the World, that transform from day to night.
Yes, all in the same image! One side is night that slowly across the image melds into day. Technological marvel, but no kitsch here. Hundreds of hours, thousands of images layered together to create an entirely new art form.
If you were to stand in one spot at an iconic location for 30 hours and simply observe, never closing your eyes, you still wouldn't be able to take in all the detail and emotion found in a Stephen Wilkes panoramic photograph. Not only does Wilkes shoot over 1,500 exposures from a fixed angle, he also distills this visual information afterward in his studio, painstakingly composing selected frames into a single image.
Day to Night presents 60 epic panoramas created between 2009 and 2018, shot everywhere from Africa's Serengeti to the Champs-Elysees in Paris, from the Grand Canyon to Coney…
Crewdson’s huge imagery (and huge book) is extreme storytelling, a life history of the characters who people his cinematic productions. From concept to final image requires a full movie set production. The result is a vision of a strange, enigmatic event or situation, like a window suddenly opened to an alternative life.
I find that each image requires many minutes of concentration to see details and allow one’s imagination to work, unwinding the mystery to which we are unexpectedly privy.
Best known for his elaborately choreographed, large-scale photographs, Gregory Crewdson is one of the most exciting and important artists working today. The images that comprise Crewdson's new series, "Beneath the Roses," take place in the homes, streets, and forests of unnamed small towns. The photographs portray emotionally charged moments of seemingly ordinary individuals caught in ambiguous and often disquieting circumstances. Both epic in scale and intimate in scope, these visually breathtaking photographs blur the distinctions between cinema and photography, reality and fantasy, what has happened and what is to come.Beneath the Roses features an essay by acclaimed fiction writer Russell…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I first met Klyukin’s huge, foldable-section metal sculptures at the Venice Biennale.
I had heard of him, but was overwhelmed by the size and quantity—plus his writings that appeared on ceiling-height, painted fabric banners. Particularly of note: the Four Horsemen of the Apocalypse,and his collection calledIn Dante Veritas,which pulls the characters and their sins out of Dante’s Inferno, and updates them in sculpture and words to the 21st Century.
This book presents the extraordinary three-dimensional “live sculptures” by the Russian architect, designer, writer and artist.
Having some engineering experience, Klyukin was able to experiment and derive a concept of connecting steel sheets on a non-existent, speculative axis without any actual fasteners. The principle of mobility of each individual piece was the basis for this technological innovation. Each sculpture created without physical fasteners is easily assembled and disassembled. This new experience brought new satisfaction. One of the statuettes done using the “live sculpture” technique, the Golden Madonnina, was used as the official award during Milan Design Week in 2017, a…
Make a connection to 125 unique Western personas, each in a five-minute read. Unique threads of independence, resilience, creativity, nature, and beauty: little oral histories with luxe, 4-color illustrations, told as if the taleteller were sitting in front of you, across the kitchen table, around the campfire, on the front porch, or under the stars.
Authentic and diverse, the storytellers and artists, people of letters, survivors, historians, seers, teachers, entrepreneurs, musicians, scientists, and advocates. Some are famous, others unknown experts and inquiring travelers. A must-read collection with a plot line that eventually reveals if chocolate is a sin. Formidable custodians of memory and adventure, significant observers that enlighten, illuminate, and animate theWestern heritage that matters.
Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!
At the age of forty-nine, Laurie Woodford rents out her house, packs her belongings into two suitcases, and leaves her life in upstate New York to relocate to Seoul, South Korea. What begins as an opportunity to teach college English in Asia evolves into a nomadic adventure.
